[D. Raye G. DePaul Gene DePaul P. Johnson Patricia Johnston]
Like a handful of other jazz standards you might encounter in school, this one is sometimes learned with alternating swing and samba feels between sections. That being said, it’s a great tune to play on at a driving tempo or it can be slowed down and sung. Once you have come to grips with the 48 bar form, there is a new level of freedom to take advantage of. Try it here as a Samba before you check out the great Brian Bromberg on Wood II.