ACME Play-A-Longs are moving chord chart videos for working jazz musicians. Concert, Bb, and Eb — every song, every chorus, at tempo. Watch free on YouTube. Own the charts.
No backing track without context. No chart without tempo. ACME gives you a moving chord chart at performance speed — so the work you do here is the work that shows on the bandstand.
The changes scroll in real time, bar by bar, synced to the recording. You always know exactly where you are in the form — chorus, section, turnaround. Play, not counting.
Concert pitch, Bb, and Eb every time. Piano and guitar share a chart. Tenor sax, trumpet, and soprano get theirs. Alto and bari get theirs. No transposing on the stand.
Every Shed Pack includes instrument-specific HOW TO SOLO breakdowns — scales, danger zones, substitutions that work at tempo. Written for musicians, not beginners.
Three cornerstone blues tunes, every key, with full HOW TO SOLO breakdowns. The foundation pack for any jazz musician who wants to own the blues.
F blues. Three songs. Every key. No excuses.
The moving chord chart is free on YouTube. The Shed Pack — PDF charts in all three keys plus the HOW TO SOLO guide — is $6 per song.
200+ backing tracks from the original ACME catalog. Every standard, every feel. All free on YouTube.
Every Shed Pack includes an instrument-specific HOW TO SOLO guide. Not theory for its own sake — the scales, the danger zones, and the specific moves that work at tempo on this song.
No patronising scale diagrams. No "start on the root." ACME assumes you play, and it talks to you like a colleague who's spent real time with the changes. Practical. Direct. Specific to your instrument and your transposition.
The form is 12 bars of F blues. No tricks. The challenge is not the changes — it's the time and the space. At 155 BPM the pocket is deep, and the temptation is to fill every bar. Don't.
SOLOING: F blues scale throughout (F–Ab–Bb–B♮–C–Eb). Over F7: F mixolydian gives you the major 3rd — use it to brighten the sound when you need air. The flat-five (B natural) is the money note. Land on it, and leave.
Over Bb7 in bars 5–6: shift to Bb mixolydian. Playing F pentatonic over the IV chord tells on you every time.
THE MILT LESSON: Miles Davis's solo on the 1954 recording is phrases and rests — equal weight. The rests are not silence, they're rhythm. Play a phrase. Wait. Mean it. Space IS the statement on this tune.
Concert, Bb, and Eb. No card required. One email when a new song drops — that's it.